Rの音は荒く、Lの音は滑らかであることが異文化研究で判明(R sounds are rough, and L sounds are smooth, according to cross-cultural study)

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2024-11-21 バーミンガム大学

バーミンガム大学の研究によると、世界中の人々は、巻き舌の「R」音を粗い質感やギザギザの形状と、また「L」音を滑らかな質感や平坦な形状と結びつける傾向があることが明らかになりました。この研究は、28の異なる言語を話す1030人の成人を対象に行われ、参加者は「R」音をギザギザの線と、「L」音を直線と一致させる傾向が強く見られました。この結果は、音と意味の直接的な関連性である「音象徴」の強力な例であり、言語の進化に影響を与えた可能性があります。

<関連情報>

歯槽骨トリルは異なる言語の話者にギザギザ/ザラザラと知覚されるa)
The alveolar trill is perceived as jagged/rough by speakers of different languagesa)

Aleksandra Ćwiek  ; Rémi Anselme  ; Dan Dediu  ; Susanne Fuchs  ; Shigeto Kawahara  ; Grace E. Oh; Jing Paul; Marcus Perlman; Caterina Petrone; Sabine Reiter; Rachid Ridouane; Jochen Zeller; Bodo Winter
Journal of the Acoustical Society of America  Published:November 20 2024
DOI:https://doi.org/10.1121/10.0034416

Rの音は荒く、Lの音は滑らかであることが異文化研究で判明(R sounds are rough, and L sounds are smooth, according to cross-cultural study)

Typological research shows that across languages, trilled [r] sounds are more common in adjectives describing rough as opposed to smooth surfaces. In this study, this lexical research is built on with an experiment with speakers of 28 different languages from 12 different families. Participants were presented with images of a jagged and a straight line and imagined running their finger along each. They were then played an alveolar trill [r] and an alveolar approximant [l] and matched each sound to one of the lines. Participants showed a strong tendency to match [r] with the jagged line and [l] with the straight line, even more consistently than in a comparable cross-cultural investigation of the bouba/kiki effect. The pattern is strongest for matching [r] to the jagged line, but also very strong for matching [l] to the straight line. While this effect was found with speakers of languages with different phonetic realizations of the rhotic sound, it was weaker when trilled [r] was the primary variant. This suggests that when a sound is used phonologically to make systemic meaning contrasts, its iconic potential may become more limited. These findings extend our understanding of iconic crossmodal correspondences, highlighting deep-rooted connections between auditory perception and touch/vision.

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